Here’s a Chinese print apparently illustrating a typical nineteenth-century court scene. Flanked by two rows of officials, a magistrate and his staff sit behind a desk judging criminal cases, while out in front the court police dole out beatings and other punishments to encourage suspects to confess. A bit savage perhaps, but part of daily life at the time. Except …
Miss Fosbery’s Passport
Here’s a Qing-dynasty passport for travel within China issued in 1889 to Miss Emily Fosbery (俌美禮, Fu Meili), a missionary with the London-based China Inland Mission (CIM). The CIM was founded in 1872 by Hudson Taylor, to recruit missionaries from working class backgrounds and send them to parts of China as yet uncovered by the protestant church. Unlike many other …
勅建雞足名山全圖: A Complete Picture of the Famous Holy Monument, Mount Jizu
Here’s a woodblock-printed map of Yunnan province’s Jizu Shan (雞足山) – Chickenfoot Mountain – which peaks at 3240m east of Erhai Lake and the old walled town of Dali. According to the artist Huang Xiangjian, who painted a colour landscape scroll of the mountain in 1656, Jizu Shan got its name because “it is formed with three ridges in front …
Verbiest’s World Map 坤與全圖
In 2016 I was extraordinarily lucky to come across this woodblock-printed world map at an antiques stall in Beijing. (The poor quality of the photo is because they didn’t want me taking one, and I had to sneak it from a distance with my ancient, low-res ipod touch camera. They wouldn’t sell me the print either.) The original version dates …
The Tale of White Snake
This final woodblock is from Yangliuqing, a village in the western outskirts of the port city of Tianjin (around 150km southeast of Beijing). It depicts a popular folk story, “The Tale of White Snake”, and meets all the requirements of a typical Yangliuqing print: very large (around a metre wide), very detailed, technically accomplished and with most of the colour painted on by hand, rather than printed. I …
Empty City Stratagem
Staying with woodblock prints, here’s one from Weifang, Shandong, a city also known for making traditional Chinese kites. It’s one of the very few I have that’s actually signed (by Zhang Chuanxin). I’d characterise Weifang’s prints as having very fine detail, a distinctive purple-yellow-pink palette, and that strange flooring of parallel lines. Set as a scene in a play, the story …
Chinese Tigers
Real tigers are feared in China, but their legendary strength makes them popular protective creatures in folklore. They appear in all sorts of folk art, including on Miao baby hats, worn to scare away evil spirits; Qing-dynasty rank badges (for a second-grade military official); Tibetan tiger rugs (a symbol of authority); and, of course, on woodblock prints. Above is another print from Wuqiang, …
Pure Land Woodblock
I bought this woodblock – the actual block, not a print – at a market in Dali, Yunnan. The title is “A Prayer for Rebirth in the Pure Land”, mantra for a popular Mahayana Buddhist sect. Prints would have been used in their thousands at local folk festivals. Centre top is Buddha seated on a lotus, flanked by strings of silver and gold …
Wuqiang Woodblocks: Yue Fei
Here’s another narrative print from Wuqiang – the story of Yue Fei. As mentioned in an earlier post, Yue Fei (1103–1142) was a patriotic Song-dynasty general who fought against the invading Jurchen (Jin) armies, precursor to the Mongol hordes who would later overthrow the Song and occupy all China. Ironically, it was Yue Fei’s success on the battlefield that led to his …
Wuqiang Woodblocks: Lord Bao
Wuqiang town, Hebei province, is another woodblock printing centre whose designs are often cartoon-like illustrations of folk tales, mostly coloured in red, blue and yellow. This pair depict episodes from Three Heroes and Five Gallants (三侠五义), a novel about the career of Lord Bao and his valiant lieutenants. Though the stories are fictional, Bao Zheng (AD 999–1062) was a real Song-dynasty administrator who became famous for …
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